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NPM 2010: Prompt 13

Posted on April 13, 2010 by Bud Hunt

Kitchen Symphony
Creative Commons License photo credit: puck90 #

Mix it up today. #

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Last reply was 763 days ago
  1. Kevin Hodgson
    View 765 days ago

    (Bud, I took your mixing up and went in the direction of a digital story, moving the lens along the image.)

    Music on the Other Side of the Wall

    At 6:20,
    the neighbor is at her violin again
    and each string plucks at my brain
    like a spatula on the frying pan.
    At 6:21,
    I begin to clean up this mess
    of a house where I live and wait,
    the paper towels absorbing all of the emotion
    except desire,
    which resist even reason.
    I’m mindful of the music on the other side of the wall
    and hear the duet within the solo,
    the run of the melody high above the clouds.
    At 6:22,
    the spice rack beckons but I reach for the bow
    and draw it slowly across the strings,
    letting loose as response to her call
    as I wait for the night’s concert to begin
    with a stranger I have never even seen.

    Watch the video/remix: http://www.vimeo.com/10892439

    Reply
    • Bill Ferriterreplied:
      View 764 days ago

      I love the timeline, Kevin! Very cool indeed.

      BTW: I pointed our school’s resident poet—a great guy who’s about 90% hippie and who gets my athletes to love poetry by the end of his week in our building—-to Bud’s blog.

      He was looking for models of adults who are writing poetry too.

      Very cool.
      Bill

      Reply
  2. Bill Ferriter
    View 764 days ago

    Automatons. Mindless automatons marching.

    Trapped. in. a. role. that. I. refuse. to. PLAY.

    Never creating.
    Never innovating.
    Never imagining.
    Never risking.
    Never singing the harmonies
    of the individual.

    Never dreaming to be
    something other than who
    (they) are…
    or who THEY want them to be.

    (Ssshhh, ALREADY—THEY’RE listening!)

    “Why won’t you just OBEY?” (they) say.
    “I’d like you better if you would,” THEY say.
    “You’d be more SUCCESSFUL,” (they) say.
    “We’d be happier,” THEY say.
    “YOU’D be happier,” (they) say.

    Mindless automatons marching.

    “ACK!” Gagging. “ACK–GURGLE-SPIT-CHOKE-CHOKE-GURGLE-SPIT-ACK.”

    “I’m allergic to boxes—and to the people
    stuck inside them,” (I) say.

    They’re trapped
    in a role
    that I
    refuse
    to PLAY.

    gramatikly inkoreckt knowte 2 THEM: i whair mieye SOAR THUMB withe pryed.

    (Mindless automatons marching.)

    Reply
  3. Kelly
    View 764 days ago

    Why don’t you come back to my place?
    tra la lasagne
    I’ll cook you a nice dinner!
    strummin’ & hummus
    And I’ll play you a song I wrote just for you!
    zippity doo dahl and tandori chicken
    Hey good lookin!
    bee bop arugula
    What you got cookin?

    Reply
    • Andrew Forgravereplied:
      View 764 days ago

      I like this. It reads like you just pulled those combinations magically from the air, like you realized a cartoon in poetry.

      Reply
      • Kellyreplied:
        View 763 days ago

        I immediately liked the idea of music & cooking…happens a lot at our house…but also reminded me of a “date night”… :)
        I like that song that goes, “Hey hey good lookin’, what you got cookin?”

        Reply
  4. Andrew Forgrave
    View 764 days ago

    We’re All Just Visiting
    ——————–

    My sister used to play the violin.

    She also used to visit with our Dad.
    And tidy up his kitchen.

    Long-expired burger meat,
    Would vanish from the freezer.

    Dishes from the drying rack,
    Sequester them in cupboards.

    Collected washed out milk-bags,
    and stacks of empty nested plastic tubs,
    Awaiting second use.
    Moved from the kitchen counter to the bin.

    My weekends, I would find him,
    looking for a certain spoon or bowl.
    Or some necessity.

    “Oh, there it is.”

    “I never know where to find things, you see,
    after she has been.”

    A violin. Does she still play?

    A clock.
    Goodbye my Dad.

    Reply
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